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Pigafetta journal
FIRST VOYAGE AROUND THE WORLD · VICENZA

The first voyage around the world had a Vicenza storyteller

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As told by
Nobel Prize·National Geographic·The New Yorker·UNESCO·Atlas Obscura·Smithsonian·Library of Congress·Bibliothèque nationale de France·Yale Beinecke·NOAA·Biblioteca Bertoliana·American HeritageNobel Prize·National Geographic·The New Yorker·UNESCO·Atlas Obscura·Smithsonian·Library of Congress·Bibliothèque nationale de France·Yale Beinecke·NOAA·Biblioteca Bertoliana·American Heritage

What does Vicenza have to do with the first global voyage?

Everyone knows Magellan. Antonio Pigafetta from Vicenza wrote the principal surviving narrative of the expedition, the eyewitness account that lets us follow the first circumnavigation in detail.

The first voyage around the world in 60 seconds

About 240 left. Only 18 came back.

The Magellan expedition became one of history’s great survival stories at sea: mutiny, shipwreck, starvation and scurvy. Magellan died in the Philippines. Pigafetta returned to Spain aboard the Victoria in 1522, one of about 18 men from the original expedition to make it back.

Magellan led the voyage. Pigafetta recorded it.

National Geographic calls Pigafetta’s journal history’s principal written source for detailed information on the entire voyage. The New Yorker calls it the standard eyewitness account. That is why we can still follow the first circumnavigation in extraordinary detail.

A travel journal of people, languages, food and wildlife

Pigafetta recorded geography, wildlife, food, trade, customs and words from the languages he encountered. Scholars describe the work as an ethnographic and geographical account, while the Library of Congress highlights its early descriptions of the people and languages of the Philippines.

He drew 23 maps of the voyage.

Four manuscript versions of Pigafetta’s account survive. Each preserves a complete set of 23 hand drawn colour maps, including his map of the Strait of Magellan.

The first travel creator?

At the opening of his account, Pigafetta addresses curious readers who wanted to know the remarkable things he had seen and suffered, and the routes that had taken him there. Five centuries later, the language feels remarkably close to the reason people still document a journey for an audience.

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Il n’est rose sans espine.

“No rose without a thorn.” The motto is still carved in Vicenza’s historic centre, on the Gothic façade of Antonio Pigafetta’s family house.

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